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Gustav Klimt Hope I (mk19) oil painting


Hope I (mk19)
Painting ID::  22324
Gustav Klimt
Hope I (mk19)
1903 Oil on canvas,189 x 67 cm Nation Gallery of Canada,Ottawa

   
   
     

Gustav Klimt THe Beethoven Frieze ( mk20) oil painting


THe Beethoven Frieze ( mk20)
Painting ID::  22410
Gustav Klimt
THe Beethoven Frieze ( mk20)
1902 Der Beethoven-Fries Casein Paint on plaster,220 cm hight Austrian Gallery,Vienna

   
   
     

Gustav Klimt Water Serpents II (mk20) oil painting


Water Serpents II (mk20)
Painting ID::  22411
Gustav Klimt
Water Serpents II (mk20)
1904-1907 Wasserschlangen II Oil on canvas,80 x 145 cm Private collection,Vienna

   
   
     

Gustav Klimt Music I (mk20) oil painting


Music I (mk20)
Painting ID::  22412
Gustav Klimt
Music I (mk20)
1895 Die Musik I Oil on canvas,37 x 45 cm Bavarian State Collection of Paintings,Neue Pinakothek,Munich

   
   
     

Gustav Klimt Vienna (mk20) oil painting


Vienna (mk20)
Painting ID::  22413
Gustav Klimt
Vienna (mk20)
World Fair 1893 Historical Museum,Vienna

   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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